Marseille Tarot. Boring or Indispensable?
In the last couple of years, I couldn’t help but notice that the Marseille Tarot seems to be less and less popular in the English speaking Tarot community.
I have read online that the Marseille Tarot was “boring as heck”. Some call it “rigid”. I’ve seen that on Amazon reviews of other decks and on Tarot forums. Often when readers and amateurs are praising the amazing design of this or that other deck. This or that deck 99% of the time being some adaptation of the Rider Waite Smith.
It feels like the Marseille deck is the least favourite of all in the English speaking Tarot community at the moment.
But what strikes me (okay, bothers me a tad) is the reason why: apparently it is boring. And I understand: compared to many fantasy inspired decks, fairy decks, artsy decks and the one that stole the throne in the early 20th century (yes, the Rider Waite Smith), the Marseille deck is indeed, well, minimalist.
It is not bursting with colours and pop imagery. But is that what a Tarot deck should be? Is it actually bad or should it be considered obsolete? Let’s have a look at the pros, cons and differences between the mother of all decks and its competition.
The problem with the Marseille Tarot is the Rider Waite Smith Deck
Indeed. The Marseille Tarot has been supplanted, commercially and culturally, by the Rider Waite Smith deck in the entire English speaking world and outside of France and Italy, where it still largely prevails along with classic Italian versions.
And the reason is both really very simple and a little more surprising.
The Rider Waite Smith Tarot seems about a hundred times easier to read if you’re a beginner. Especially the minor arcana. That’s a fact. And that sounds like a good thing.
But the problem with the RWS deck is that it seems like it requires less study, less work and less experience. Of course, this is just an impression and a good reader of the RWS will know that study and years of learning are necessary. Yet it could send out the wrong message.
The other interesting thing is how this old continental European deck (developed in Italy and France when both countries where at the center of the Western World) was replaced by an Anglo-Saxon adaptation after passing the Channel and crossing the Atlantic.
Sounds familiar? Like many popular items, Tarot was revolutionized in the 20th Century as the Anglo-Saxon world – and especially America – took over the West, leaving Europe to be a secondary pole of influence: the boring old continent.
Another important fact explaining today’s massive use of the Rider Waite deck, especially online, holds in two words: public domain. The images on the this deck belong to no one. You could start printing this deck and sell it without infringing any copyright law. For book publishers and online readers, this is big.
Don’t get me wrong, I love the Rider Waite Smith Tarot, I own it. I use it a lot for both personal and professional readings. It speaks wonderfully.
My point is not too belittle the RWS Tarot. It is a fantastic deck and a classic for good reasons (not just the above 😉 ). But it is good to always keep in mind where the RWS itself, came from.
If most Tarot decks published today and in the last 50 years are adaptations of the Rider Waite deck, we gotta keep in mind that the RWS is nothing but a revisited Marseille.
Mastering the Marseille deck is like mastering music theory
I understand that when so many wonderful decks are available, it’s just natural to pick one that is inviting. Pretty. Or even entertaining. But when you start reading the cards, you should make it challenging. Because your future readings will be too. Especially if you aim to do it professionally.
Starting with decks that don’t give you an immediate answer in the illustration will force you to develop your instinct and study more. It will require you to learn the symbols, meaning of the numbers and primary colours, often neglected by modern and ‘pop’ Tarot decks.
See, if you want to become a musician today, it’s quite easy to buy yourself a keyboard. Or a guitar. Something affordable but cool and inviting. Then you can learn some basic notes and chords with charts online. And soon you can roughly play a pop song. But if that’s all you do, you’ll always be stuck right below that glass ceiling that would magically – okay through hard work – disappear if you’d taken some music theory lessons.
The Marseille deck is your theory. If you can learn to read its minor arcana, you’ll immediately move from beginner to, at least, intermediate reader. Soon, you could be well advanced.
And you could also decide that the Marseille deck will not be your go to set of cards. But at least, you will know it. Just like many great pop artists know their Chopin, but have more fun with 90’s classic hits.
A Piece of Tarot History
To be a good Tarot reader, you don’t need to be a historian. But having a good understanding of the evolution of Tarot through time and in different regions of the world will only make you better.
What’s important is to understand that Tarot is an ancient way of telling people’s fortune. Used by the little folk and the Queens of Europe alike. It was also a tool for philosophical training. And simply… a game people played.
When going back to the basics, the roots and exploring the Marseille or classic Italian decks, you’ll be able to truly feel and connect with that history. These are the foundations and the beginning of every deck you may ever pin or buy. Own it. Use it. Love it.
You don’t need to dedicate yourself to any deck that isn’t your favourite. But you’ll be amazed at how much of a better reader you can become by mastering and understanding the history of each card, and what original symbolism it was carrying or was based upon.
The Other Decks
I’m a Tarot collector. I love so many decks and my point is certainly not to belittle any of them. I do readings of all kinds for different people online and offline. And some even like to choose the deck we use for a reading.
When I read, I usually have about 5 or 6 decks on the table and I pick the one that best fits the sitter or the topic. For instance, I like to use the Tarot of a Moon Garden for Love related readings and past lives. I often turn to the Victorian Fairy Tarot and the Animal Totem for self improvement and coaching readings.
But if things get really difficult for any reason or if the questions are especially hard or serious I like to turn to the Marseille deck.
Because it is ‘rigid’ and strict in its construction, I know that it will only focus on the most crucial things. Readings with the Marseille deck go straight to the point. They feed you the details after the key information. Offering crystal clear results.
Other decks let information flow to you as you filter them. Especially when the illustrations are busy. There’s no right or wrong way but having this sharp tool is a blessing and a chance.
I could never do readings that are as strong and detailed with decks that wander too far off the road, for instance the Paulina Tarot or the Shadowscapes Tarot. These are wonderful works of arts and in many aspects way more beautiful than the Marseille cards. But as a reader, they just don’t do it for me.
Different decks may work better for different kinds of readings, but for clear predictions, this is my go-to-deck. I also always recommend it for amateur readers who work with predictions and especially for yes & no questions. Because once again, it’ll go straight to the point.
And if the Marseille deck design really doesn’t work for you, then a solid alternative (other than RWS) following the same system is the Old English Tarot. The design is rounder, the colours softer. It is more approachable with its pastel medieval theme. I like it a lot and it will allow you to learn as if working with the original Marseille deck. There are also several Tarot decks that feed off the Italian and Marseille traditions that could work better for you such as the Golden, Botticelli or Visconti Tarot.
Recently, I also bought the very intriguing Tarot Noir. I believe it is only available in French, but you can get it from Amazon easily. It is a wonderful deck. It’s pretty dark but sober and faithful to the original. The companion book is not the best part of it. So if you cannot read it, just have it decorate your shelf, the deck itself will keep you happy.
What’s your go-to deck? And what’s your relation with the Marseille Tarot? Share your views in the comments section below 🙂